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北宋 赵佶《花鸟图》

宋画相当嗜好技法，正式写实，在写实技巧上已臻中国古典写实目标的顶峰。

生涯在北宋的字画玩赏家郭若虚建议：

“画花果草木，自有四时景候，阴阳向背，笋条老嫩，苞萼后先，逮诸园蔬野草，咸有出土体性。画翎毛者，必应学问诸禽形骸名件，自嘴喙、口脸、眼缘、森林、脑毛、披蓑毛，翅有梢翅、有蛤翅，翅邦上有大节末节、大小窝翎，次及六梢，又有料风、掠草、散尾、压磹尾、肚毛、腿袴、尾锥，脚有探爪（三节）、食爪（二节）、撩爪（四节）、托爪（一节）……” 

南宋 佚名《绣羽鸣春图》

这几乎是主意将画家进修成又名植物学家与鸟类学家，因此，宋东说念编缉下的一鸟一虫、一针一线都有板有眼！

以下是宋代画图中花鸟草虫与天然界的它们逐一比照，神色可见，写照逼真，宋东说念主于画的理法与情致或可窥其一斑。

似锦篇

玩家

碧桃

太平洋在线网址

碧桃图页

碧桃花

开放的碧桃红白相映，枝桠扶疏，娇柔娇媚。《碧桃图页》天然画面上仅绘桃花两枝，但它的似锦簇簇、苞蕾盈枝则显潜入浓郁的春意。花瓣用多变的细线条勾描后再以白粉或粉红色多层晕染，嫩叶用细红线勾空洞和叶筋，然后填以花青和汁绿。整幅画面赋色精雅，天然无邪，体现了宋代册页画小中见大的风貌！

夜合花

夜合花图页

夜合花

《夜合花图页》中，夜合花一根两枝，右枝花朵黄花少年，左枝花朵半开半合，白皙如玉，清雅绝尘。花朵轻勾淡染，用白粉点画花蕊，花叶先以细笔勾画空洞和筋脉，后用汁绿与花青染之。绿叶穿插向背，档次安排奥密，画面节约而不只薄。

白蔷薇

宋 马远 白蔷薇图页

白蔷薇

整幅画面虽不复杂，但在主宾、错乱、疏密的奥密安排下，渴望满纸，既有枝干斜向滋长的动态好意思，又有珠围翠绕的静态好意思;双勾枝干的用笔，犹如其山水画中的树木枝干用笔同样牢固有劲，再填以凝重的赭色于其中，使枝干显得劲健、古秀，配上敷染适合、刻画精细的绿叶和唯妙多姿的花朵，真让东说念主有隔于载能嗅其香之感。

牡丹

牡丹图页

粉牡丹

图绘牡丹花后魏紫，花冠硕大，重瓣层叠，娇艳荣华，傍边以绿叶相衬。花瓣档次丰富，刻画入微，先用中锋细笔勾花瓣，然后用胭脂红层层渲染，以浅黄色点花蕊，以花青汁绿染花叶。此图页精工富丽，好意思不堪收，构图丰润，设色艳而不俗。 

海棠

亚新体育

海棠蛱蝶图页

海棠花

图中花瓣先以墨笔双勾空洞线，中锋行笔，线条圆润运动。然后在花瓣外侧上部略点胭脂红，斯须以净水将色调晕染开，终末罩上一层白粉，为海棠花亮丽的色调增添了几多娇媚的意韵。叶片用精巧的双勾填色笔法施展，作家凭证叶片受光照经过的不同而填染以石绿、墨赭等神色，从而充分表示出叶片"清如水碧，洁如霜露"的好意思感，自满出画家细密的不雅察力和深厚的写实功底。

锦葵

夏卉骈芳图页（锦葵、栀子花、百合）

锦葵

栀子花

皇冠体育新推出的赌博游戏，在运动明星的精彩表现中加入了更多的刺激因素，让玩家们更加投入和兴奋。

百合花

此图施展暖风薰醉，群芳争艳，馥郁的花香似从画面中扑鼻而来。锦葵红艳，栀子白皙，百合娇黄。画家不仅工致入微地刻画出花瓣的丝丝纹理和叶片的缕缕筋脉，而况在设色上也致力于逼真贴切，锦葵用白粉勾染花朵，并着曙红色由花心向外渐次晕染，丰富的色调变化增强了画面的档次感，同期也渲染出鲜花的人命活力。叶片着色虽较轻盈，然用水晕的要害施展出绿色的浅深幻化，自满出夏季的无限渴望，也衬托出群芳的明媚娇艳。

珍禽篇

瓦雀

宋 瓦雀栖枝图页

在当天的投票中，乔丹获得在场221名共和党人中的199人支持，其余22人分别把票投给了众议院多数党领袖、此前的议长候选人斯卡利斯以及被罢免的前议长麦卡锡等人，体现出共和党内部的严重分裂。在前一日的首轮投票中，乔丹获得在场220名共和党人中的200人支持。两轮投票下来，乔丹的票数不增反减，体现出共和党内部的强劲阻力。

瓦雀（麻雀）

麻雀常宿于檐瓦之间，故又名“瓦雀”。《瓦雀栖枝图页》中海棠寥落，果实散挂枝端，树叶已染秋霜，间杂红、黄、绿色，斑斓可人。瓦雀翎毛刻画精细，高度写实，作家把瓦雀的一动一静，尽收于画幅之中！

棕头鸦雀

南宋 林椿 果熟来禽图页 棕头鸦雀

棕头鸦雀

《果熟来禽图页》中寥寂的山林木叶泛黄，千里甸甸的果实早已熟透却无东说念主采摘，任由虫儿噬蚀。一只小鸟顿然飞上枝端，碎裂了空间的宁静。忽而，它转颈回眸，振翅欲飞，在这得益的季节里，它是否被画面外更为诱东说念主的欢欣所蛊惑呢？

棕头鸦雀

宋 霜篠寒雏图页

文鸟

《霜篠寒雏图页》里5只文鸟集于枯棘上，姿势折柳，神色如生。枯棘下的竹枝色黄叶疏，点明了瑟瑟秋意。文鸟的描摹先勾出空洞，再用细劲的笔锋绘出羽毛，并施以淡墨、赭石等色，渲染出毛绒的质感；竹叶使用双钩笔法，然后渲染；竹竿选拔白描法；险阻则一笔画出，显得遒劲老到。

棕头鸦雀

秋树鸜鹆图页

鸜鹆（鸲鹆）

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图绘秋日里一只鸜鹆栖于桐树之上，利爪紧持枝干，扭颈回避似在谛听。鸜鹆眼神机敏，身形丰润，尾翼整洁，羽毛黑亮，而树叶则满布虫蚀，拘挛蜷曲，神色枯黄。构图奇崛突兀，迥特别品。鸟为纯黑一色，故全身齐用墨染，然不同部位之毛羽的质感、档次均施展无遗，何啻“墨分五色”汉典！古东说念主墨法之妙于此见之。蚀朽的树叶在画家精熟的技法下“化迂腐为神奇”，勾描晕染，档次丰富。中国工笔画常写病叶，原因在此。而此图之叶号称极致。

白头翁

白头丛竹图页

白头翁

图绘小竹数竿，高昂嫩绿，两只白头鹎栖于枝端，一只俯首梳理羽毛，一只遥视前哨。竹用双钩填彩画法，翰墨缜密严谨，色调千里着。山雀用淡彩层层晕染，再以尖毫细笔绘出绒羽，刻画准确，豪阔毛绒的质感。

绣眼

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南宋 林椿 果熟来禽 图页 绣眼

绣眼

小鸟的动态用细劲蔼然的笔致勾画，蓬松的羽毛则以浑融的墨色晕染，木叶的枯萎、残损、锈斑，果子上被虫儿叮咬的陈迹都被逐一描摹出来，可见画家从天然景致中"摄集花形鸟态"的精熟的写生智力。在构图上删繁就简，明洁奇巧，既保持了画院花鸟画"要物形不改"状物精微的写实精神，又施展出作家蕴藉空灵的审好意思追求。设色轻敷淡染，黄绿的叶子、淡红的果实、鹅黄的小鸟，分外和洽明丽。

绶带鸟

乌桕文禽图页 宋，绢本

绶带鸟

图写雪后溪边，天色晦冥，老梅初放。树栖绶带鸟一对，毛羽秀美。自来图写文禽，多置之明媚春光中，此幅独以肃杀冬景反衬之，极具匠心。树下溪流湍急，水花飞溅，岸石上袒护积雪。画家以水墨烘染阴天，以白粉施展积雪，以运动的弧线描摹活水，齐具功力。最为特有的是为了施展溪岸岩石为水冲蚀而变成的蜂窝之状，另创皴法，前此未见。

野鸭

宋 溪芦野鸭图页

野鸭

图绘溪边芦苇、茨菰丛生，枝繁叶茂，勃勃渴望。雄鸭在岸边单足耸峙小憩；雌鸭于水中总结梳羽，姿态闲逸，气度雍容。此图意在施展一种祥和放心的烦恼，应是南宋画院点缀升平之作。构图闇练简练，画面左中部为芦苇所荫蔽，给东说念主安全之感；右上方则留出一派水面，启东说念主遐念念，以免顽固。敷色精细写实，雄鸭毛羽的施展尤见功力。今色调虽已暗旧，尚可想见以前斑斓生辉之状。

山鹊

松涧山禽图页 宋，绢本

山鹊

此图绘参天的古松下，山溪迂回奔流，水花飞溅，四对山鹊姿态折柳，或飞呜，或回旋，或啄食与山涧和树石之上，形象无邪。图顶用浓墨画松斡和松鳞，松针用墨线勾描后用石青渲染。竹叶用严谨的双钩填色法。山石则用墨线勾画空洞，进而用淡青色破染，使画面豪阔立体感。此图用笔遒劲，静中有劲，为南宋小幅花乌画中精秀之作。这幅作品依然明黔宁王沐琳和项元汴储藏。

树麻雀

驯禽俯啄图页

树麻雀

一只麻雀站在浅蓝色的敞口瓷罐上，瓷罐内有白米，麻雀雀不食，却俯首啄罐沿。《驯禽俯啄图》以极其节约的构图和精细的笔触，诠释着一个蕴含深意的故事。

麻雀的腿上系着红绳，绳端拴着一个圆环，这个圆环应该是套在主东说念主手上用的——这是一只已被擒获豢养的鸟。天然瓷罐里的白米关于麻雀来说，意味着它已无用再贫瘠觅食，便可竟日衣食无忧，但与此同期却失去了目田。被擒获的麻雀不食白米，所抒发的就是一种对目田生涯向往。

赤麻鸭

南宋 寒塘凫侣 图页 赤麻鸭

赤麻鸭

图左侧塘岸土坡，白梅一枝斜出，枝上梅花怒放，枝下茶花、水仙开放。一对野鸭嬉戏于水中，睥睨生姿，逗东说念主喜爱。对岸土坡败苇寥落，两只蓝色的小鸟前后相随飞向辽阔，随之视去画有尽而意无限。

环颈雉

南宋 李迪 枫鹰逐雉 图轴 环颈雉

环颈雉

画崖石旁老枫树一株，树槎丫上一鹰斜立回避下视，欲捕草丛中惊逃的雉鸡，雉鸡急奔草丛中避藏，神色无邪，风格汜博，是传世宋画中生僻的巨幅佳作。

苍鹰

南宋 李迪 枫鹰逐雉 图轴 苍鹰（幼鸟）

苍鹰（幼鸟）

灰伯劳

南宋 李迪 雪树寒禽 图轴 灰伯劳

灰伯劳

此图写竹叶覆雪，轻染薄雪的棘树上，栖息着一只伯劳。山坡以粗笔勾出，写一丛衰草，更添雪意。双钩写竹、树干，敷色渲染。雀鸟以没骨及钩勒邻接合绘出，写实无邪。此画是作家晚年的悉心之作。

鹊鸲

南宋 水墨百花 图卷 鹊鸲

鹊鸲

黑脸噪鹛

北宋 翠竹翎毛 图轴 黑脸噪鹛

黑脸噪鹛

画中寒雪初飘，一对雉鸡蹲伏坡石上。翠竹数竿，山鸟三两成群，栖于枝桠间，另有一鸟振翅欲飞，千里寂的画面中又添具无邪之趣。竹以双钩为之，竹叶全用战笔。此帧翰墨古朴，雄雉胸腹间微有异样，系原画绢壅塞，经后东说念主补笔者。

领雀嘴鹎

北宋 赵佶 写生珍禽 图卷 杏苑春声 领雀嘴鹎

领雀嘴鹎

《写生珍禽图》是徽宗写生花鸟画的典范，笔调朴质简逸，全用水墨，对景写生，不管禽鸟、花卉均形神兼备。画卷共分事十二段，每段接缝处有宋徽宗的双螭印，共十一方。图中鸟之羽毛，用淡墨轻擦出形，又以较浓墨覆染，再以浓墨点染要点的头尾、羽梢等部位，层叠描摹，反应鸟羽松软的质感、丰富的厚度以及斑斓的色调。

画眉

北宋 赵佶 写生珍禽 图卷 熏风鸟语 画眉

画眉

灰喜鹊

北宋 赵佶 写生珍禽 图卷 薝葡栖禽 灰喜鹊

灰喜鹊

戴胜

北宋 赵佶 写生珍禽 图卷 舜花笑日 戴胜

戴胜

珠颈斑鸠

北宋 赵佶 写生珍禽 图卷 疏枝唤雨 珠颈斑鸠

珠颈斑鸠

太平

北宋 赵佶 写生珍禽 图卷 古翠娇红 太平

太平（十二红）

化蝶篇

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菜粉蝶

打不开解决方法

宋 白菜草虫

菜粉蝶

《白菜草虫》中，画家浅显地将白菜、蝗虫、粉蝶与蜻蜓安排在四个边际，但互相间的联系，既无邪地反应出天然界生物的常态，也充满了神秘的张力，教东说念主印象深刻！宋代画家嗜好写生，草虫又易于体现造化的精微，因此画中关于粉蝶、蝗虫、蜻蜓的刻画，不管一须一脚，都尽头仔细，有如将大天然捧在手中翻阅同样，尽头意旨。

凤蝶

南宋 李安忠 晴春蝶戏 图页

身形雍容丽都的凤蝶、娇小素净的粉蝶等蛱蝶和胡蜂，或平展双翼，或振翅飘舞，在明媚的春光下宛若俏丽的花团漫天开放，《晴春蝶戏图页》形象无邪地体现出“蝶戏”的创作东题。

在蜂、蝶的塑造上，勾画与渲染打成一派，先以极细而淡的线条勾画空洞，然后再“随类赋彩”，或以粉白、土黄多层积色，或在墨线中填重彩，晕染工细而光辉丰富，展现出蛱蝶翅翼的秀美之好意思！

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南宋 李安忠 晴春蝶戏 图页 马兜铃凤蝶（丝带凤蝶）细节

马兜铃凤蝶（丝带凤蝶）

金班蝶

南宋 李安忠 晴春蝶戏 图页 金斑蝶

金斑蝶

玉带凤蝶

南宋 李安忠 晴春蝶戏 图页 玉带凤蝶

玉带凤蝶

菜粉蝶

南宋 李安忠 晴春蝶戏 图页 菜粉蝶

菜粉蝶

灰蝶

南宋 李安忠 晴春蝶戏 图页 灰蝶

毛眼灰蝶

蛱蝶

南宋 李安忠 晴春蝶戏 图页 二尾蛱蝶

皇冠hg86a

二尾蛱蝶

读宋代的花鸟画，就像读一首最意蕴有味的小诗2024年澳门永利彩票网，让东说念主酣醉，让东说念主心醉。宋代的工笔花鸟画，将境界和情味当作画图的灵魂，以诗意的笔触将咱们带进了细密精采、玩味无限的艺术宇宙！

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